Resumen
Since its initial publication in 1980, the Dictionary has been widely acclaimed as an indispensable resource and a classic reference. The word updated doesnt begin to describe the thousands of new articles, topics, cross-references, and areas of scholarship incorporated into The New Grove II. Every one of the first editions 22,500 articles has been reviewed and revised, with thousands of articles expanded. Previously neglected or under-represented areas have been examined, explored, and explained. Movements and topics once deemed too controversial or too far from the mainstream have been added. And throughout, 6,500 new articles cover more than 5,000 years of music history, instruments, composers, institutions, performers, genres, and more.
The New Grove II takes you beyond the customary and familiar into new worlds with extensive, authoritative contributions on non-Western music. From major influences, such as Latin American music, to less-examined contributions, such as Asian, sub-Saharan African, and Pacific Islander, The New Grove II presents the music, theory, instruments, and musicians that have helped to define music around the world.
This is the big one -- 20 thick volumes packed full of information on musical history, composers, artists and more. It carries a big price tag, but its an invaluable aid for the serious student or writer. Grove has several other dictionaries, opera and jazz among them, but if you can only handle one, this is the one to get. This text refers to the 20 Volume edition of this title.
Now appearing in print and online simultaneously, this expanded second edition of the most substantial, comprehensive music encyclopedia in English deserves applause for including greater coverage of world and popular music, nearly 2000 more articles on 20th-century composers, and more than 29,000 entries (many rewritten or revised) by over 6000 contributors nearly 7000 more entries by 3600 more contributors than graced the 20-volume 1980 edition. New articles on intellectual trends (e.g., deconstruction, modernism, and postmodernism), sociopolitical movements (e.g., feminism, Marxism, and Nazism), and even animal music and sex illuminate musics various contexts far better than did the earlier New Groves. One brave entrys topic is music itself. There are some problems, however: leaden prose<
